Early America's Medallion Quilts With Multiple Borders

Immigrants to America brought medallion style quiltmaking techniques across the Atlantic with them. These quilts were a favored style from the 1780s through the early 1800s. Then during the middle decades of the 19th century making quilts with sets of blocks became quite popular in America. Quilt makers in Europe and Britain continued to prefer making medallion style quilts well beyond that time.

Antique examples of Medallion quilts range from the perfectly symmetrical with intricate piecing or applique to the informal and sometimes asymmetrical. These less formal quilts appear to have been more common during the latter years of this quilt style's popularity. We imagine the finer ones were made for formal bedrooms while the more casually made medallion quilts were for more humble bedrooms or servants and children’s rooms.

Occasional medallion style baby quilts and even doll sized can be seen in collections. The doll sized quilts were made by children as they learned to sew or given to them as gifts for their dolls.

Not all medallion quilts were square, some were made with cut out corners to fit on a four poster bed. Imagine one of these quilts on a grand four poster bed. During the 1700s the most formal room in a well to do household often included the finest bed usually used by the husband and wife. "Displaying their 'best bed' in the 'best room' couples could put a premiere household possession in public view."² A feather filled four poster bed with a beautiful medallion quilt on it might well have been the centerpiece of the home.

The center was sometimes an interesting piece of printed fabric like a tree of life, a basket or a toile. Early fabric printer, John Hewson, specifically designed panels to be used in the center of medallion quilts.

Often a motif was appliqued in the center. The early appliqued centers and borders were usually done in the broderie perse style that involved cutting out images from printed fabric then sewing them onto the quilt's center and borders. Appliqué was dominant on medallion quilts until the latter 1700s.

As piecing became more common the medallion centers were sometimes pieced often with one of the various star block patterns. Star patterns were some of the earliest used for pieced blocks. Hexagon mosaic patterns were also used for the centers of some medallion quilts. Barbara Brackman places the earliest star patterns in the 1830s and dates the earliest known hexagon patterns at 1817. ¹

It is easy to see how quilts made of blocks became popular by mid centurs as more and more piecing was used on medallion quilts both in the border and as the central motif.

Although the centers of many medallion quilts were exquisite, just as fascinating are the numerous styles of borders and quilt border patterns to be found on these quilts. As mentioned above the earlier quilts were appliqued in the center and these quilts usually had applique in the borders as well. In time piecing was also used in the borders in fact some quilts in this style included both applique and piecing.

   

Borders could be pieced of triangles in border patterns such as the saw tooth or pyramid style. Squares could be turned on point along a border strip or simply sewn together to make the border. Others borders were made of rows of small pieced blocks. The hourglass and modified nine patch patterns were some of simpler blocks used in borders while various intricate star block patterns were created for more elaborate borders. These borders were frequently made of varied fabrics giving scrappy look.

Often the pieced borders were alternated with borders of solid fabric in lovely large prints. Ruth Marler points out that fabric manufacturers noted these borders and, "Around 1790, prints on a dark background became fashionable and were often printed in strips ready for quilt maker to cut out for borders." ³, "the Art of the Quilt".

While some medallion quilts had just a few borders leaving the central area as dominant others involved a great many borders dwarfing the center. These can be the most intriguing as you examine the borders and enjoy their variation.

   

Some medallion style quilts continued to be made throughout the 19th century then they enjoyed another burst of popularity during the Colonial Revival in the first decades of the 20th century. The medallion quilts made during this period often had appliqued centers and borders usually in solid fabrics. Others made during this time were embroidered.

One of the most delightful things about the earlier medallion quilts is that each one is unique. The same panel or block may have been used in several quilts but the borders were left to the quilt maker's imagination and skills. For the same reason making a medallion quilt today can be a truly creative experience. Whether you stay traditional and use reproduction fabrics or decided to go wild with modern fabrics and techniques you will enjoy making a medallion style quilt.

References:

¹ p169, "Clues in the Calico", by Barbara Brackman

² p123 "The Reshaping of everyday Life: 1780-1840", by Jack Larkin

³ p36 "The Art of The Quilt", by Ruth Marler

Webpages:

Colonial Revival Medallion Quilts, Marie Webster Including medallion quilts of that period.

Patterns From History for Doll & Baby Medallion Quilts

Colonial Women: Their Quilts and Quilting

Pictures from the Quilt Index:

Broderie Perse Medallion Quilt Top, Applique

Chintz Medallion Quilt With Pieced Borders